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Best eq pedal 2018 – [Buyer’s Guide]

Last Updated September 1, 2020

Charlie OliverHey friends! I’ve got something important to talk about today! I spent 42 hours researching and testing 21 different types of eq pedal and found that material, variety of sizes, and style were most important.

In this article, I will be categorizing the items according to their functions and most typical features. In this article, I’ve listed down the Top 3 list. These are the best eq pedal your money can buy.

Best eq pedal of 2018

Not all eq pedal are created equal though. Like choosing clothes or cosmetics, choosing eq pedal should be based on your purpose, favorite style, and financial condition. The above tidbits will bring you closer to selecting eq pedal that best serves your needs and as per your budget. I want to find something that’s designed well (both for aesthetic purposes and efficiency).

Test Results and Ratings

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Total 4.8 4.5 4.3
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How to save up to 86%? Here is little trick.

You must visit the page of sales. Here is the link. If you don’t care about which brand is better, then you can choose the eq pedal by the price and buy from the one who will offer the greatest discount.



№1 – MXR M108S Ten Band EQ Guitar Effects Pedal

MXR M108S Ten Band EQ Guitar Effects Pedal

Cut or boost 10 different frequencies up to ±12dB
LEDs provide high visibility, even in direct sunlight
18-volt operation for increased headroom
Absolutely no frills

Why did this eq pedal win the first place?

I really enjoy the design. It is compact, comfortable and reliable. And it looks amazing! I also liked the delivery service that was fast and quick to react. It was delivered on the third day. I am very happy with the purchase. It is definitely worth its money. The product is top-notch! The product is very strong. Its material is stable and doesn’t crack.
















№2 – Donner Equalizer Pedal 5-band Graphic EQ Guitar Effect Pedal

Donner Equalizer Pedal 5-band Graphic EQ Guitar Effect Pedal

1.Frequency Centers:100Hz,250Hz,630Hz,1.6KHz,4KHz.
2.Volume knob for flexible volume adjustment.
3.+/- 18 dB adjustable gain range per band.
Heavier and thicker.
Exterior build could be improved.

Why did this eq pedal come in second place?

This is a pretty decent product that perfectly fitted the interior of our office. The material is pretty strong and easy to wash if needed. I recommend you to consider buying this model, it definitely worth its money. Managers explained me all the details about the product range, price, and delivery.


















Shape your sound and eliminate feedback with 7 bands of equalization
Fairly expensive.
The least durable frames we reviewed.

Why did this eq pedal take third place?

A very convenient model. It is affordable and made of high-quality materials. I liked the design. We’ve been using it for 2 months and it still looks like brand new. It doesn’t squeaks nor bents. Looks great in my apartment. It is inconvenient to use due to the size. I am going to get something different next time.
















eq pedal Buyer’s Guide

If you keep the before points in mind, you can easily go out to the market and buy eq pedal, right? No!

What to look for in an EQ pedal

Tweakability (number of bands): You’ll see EQs often separated into the number of “bands” you can tweak. This is essentially the number of more-or-less even vertical slices that the spectrum is split up into. The more bands you have, the more tweakable the EQ is. The equalizer pedals we recommend in this guide start at bands (low mid and high), and go up to as many as One is not better than the other. It comes down to personal preference and how much fine tuned control you think you need.

Ease of use (knobs vs sliders): Some EQ pedals for guitar have knobs to adjust the frequencies, and some have sliders. The more controls there are, typically the smaller the spacing between them. If the spacing gets very small, it can be more difficult to dial in the right settings precisely (this could be a problem if you have a crowded pedalboard, or you play in dimly lit venues, or your fingers are large).

Size of the pedal: The physical size of a pedal is a consideration when shopping for most guitar pedals, but it’s particularly important with an EQ pedal. You might not care about pedals with more “active usage” like distortion or delay. However, it’s possible that you set your EQ pedal to a single setting and let it stay like that for the duration of your playing. In that case, you might want the pedal to be smaller to save precious room on your pedalboard.

Noise/hiss: Some pedals you leave on all the time, some not. As you might leave your EQ pedal on throughout your playing sessions, we’ll need to make sure to pick one that doesn’t introduce any extra noise or hum into your signal chain.


It’s best to start with the most obvious pedal, one you’ve probably heard of already. Distortion! The term “distortion pedal” is actually used quite a bit as an umbrella term to refer to different types of pedals.

Although it’s not really wrong to do this (they all distort the signal of the guitar) I’m going to be a little bit more specific and split the group up into types – distortion, overdrive and fuzz (these second two are discussed below).

Distortion is can be quit a heavy, obvious effect which provides a good amount of sustain & crunch to your sound. Because it heavily distorts the sound, it can sometimes hide the actual tone of the guitar.

However you can still hear the original tone of your guitar and amp in there somewhere. It just makes everything sound much more aggressive.


An overdrive pedal still distorts your sound, and gives it an extra punch, but it’s great at keeping more of the sound of your amplifier & guitar intact. So it sounds a little bit more natural.

It drives or “pushes” your amplifier more subtly than a distortion pedal so it doesn’t sound too heavy or overpowering. Yet it still gives you that beefy, thicker sound.

It’s often used in classic rock and blues but is a versatile pedal which is on the pedal board of millions of guitarists around the world.


Fuzz is the most extreme of the distortion effects and kind of sounds like it’s pushing your amplifier to breaking point. It provides a bass heavy and noisy guitar tone and means that it’s very hard to hear any of your original guitar tone.

However it’s still a very diverse pedal depending on how you use it. It can be used to create very heavy attacking sounds, or add more of a discrete buzz which isn’t too overpowering.

The different pedals are differentiated by the amount of the distortion / saturation they provide. Overdrive has the least, fuzz has the most, and distortion is somewhere in the middle.


Delay is another effect which does what it says on the tin. It delays your signal by a varying amount and then plays it back. This creates a doubling effect. The pedal will let you define how long the delay is.

Digital pedals can usually delay for longer, but some people think that these digital pedals don’t sound as good as analogue alternatives. Delay pedals are great for creating experimental effects and sounds, but can be subtle too.


The chours effect sounds like hundreds of different guitarists playing what you are, but very slightly out of time. The effect also creates a mild wobble type noise.

Overall the sound sound rich, full and thick because of the chorus effect.

It can be used effectively both as a subtle effect or a more obvious experimental effect.


Flanger is very similar to chorus, however it can provide a little bit more of an obvious effect.

It’s got more of a wooshing sound which goes up in pitch and then down again. People often say it sounds like a plane flying past.

Unlike the chorus effect it doesn’t sound like there are hundreds of guitarists copying your sound, but still can thicken your tone up.


Again the phaser pedal is similar to the flanger and chorus effects. It creates a sweeping sound by creating peaks and troughs in your guitar tone. You can alter the height of these peaks and troughs by manipulating the controls on the pedal.

The phaser also adds a similar, but not as obvious, effect to the guitar tone as the chorus. So it sounds like there are a few guitarists playing the same as you.


Tremolo sounds like your volume is being turned up and down very quickly after you play a note. However the sounds gets blended together nicely so it doesn’t sound too obvious or out of place. Essentially it proves a nice wobble sound.

The controls on the pedal control how big this volume change is, and how quickly it occurs. It’s not too far away from the phaser, flanger and chorus pedals, but still sounds unique when compared to them.


Boss Dynamic Wah Guitar and Bass Wah Effects Pedal with Humanizer – Choose between a standard wah effect or use the Humanizer mode to incorporate vowel sounds that resemble a human voice. It features a dedicated bass input.

The wah wah pedal was introduced in the Now, almost half a century later, Electro-Harmonix has solved many of its inherent problems by creating a gorgeous wah with absolutely no moving parts and the sweetest tone.

Behringer Eq700 7-Band

Are you looking for the best EQ pedals? Does the hunt for one make you feel like you are lost in a jungle without a map to find the best way? We understand. There are so many good models out there and (let’s face it) many bad ones as well and it might feel overwhelming when trying to determine which one is the best for your needs. But fear not! This list is made to make you feel a little less overwhelmed.

Blackstar HT-METAL

The HT-METAL by Blackstar has two channels and three modes which is handy for guitarists who need to access different tones for their music. You can have a channel for rhythm and another channel for lead or even set up one channel as a clean tone. The pedal uses a tube to drive the distortion which is a nice way to overcome some of the harsh tones heard on other metal distortion pedals.

Here are some EQ Pedals for your consideration

ParaEQ from Empress Effects offers truly transparent EQ (along with true bypass circuitry) and is great for sweeting your sound, adjusting your tone to the room or even controlling feedback on acoustic guitars. It offers a 30db clean boost as well.

The Ibanez BBBottom Booster pedal is a marvel of simplicity with True Bypass circuitry. Give your sound a fat bottom with balls, use it for a tube screamer tone, or add it to a distortion pedal for some really interesting colors.

The MXR M10Band Graphic EQ has everything you want in an EQ pedal. Extreme control over the most important frequency ranges and a huge amount of control over levels. This is the EQ that does it all.

Gear returned in mint condition. If you’re looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.

Envelope Filter Pedals

Envelope filter pedals function similarly to wah pedals in they sweep through the frequency range of the instrument’s signal. The effect can subsequently make the bass sound thinner or wider. But while a wah pedal’s resulting sound is determined by how far forward or back the pedal is rocked, an envelope filter functions automatically, without needing any movement with your feet.

The fluctuation in frequency sweep is usually determined by the actual changes in volume coming from the signal flow. This effect can be used to give bass parts a synth-like, growling sort of sound which is distinctive and effective in filling out the bottom end of a song. Groups like Parliament-Funkadelic, Red Hot Chili Peppers, and Nine Inch Nails have all run bass guitars through envelope filter pedals on songs to great effect.

Overdrive Pedals

Simply put, a bass guitar running through any sort of overdrive/distortion pedal rumbles the room in a way unlike any other. By overdriving the signal, the sound is boosted and given a stronger (often gnarly-sounding) tone. While fuzz pedals, overdrive pedals, and distortion pedals all have their own slight differences, they generally give the bass tone a sound that is fuller and possesses more low-end.

Chorus Pedals

Chorus falls under the umbrella of a modulation effect, and can be used on bass parts to give them a shimmering (or “chorus-like”) sound. Chorus pedals duplicate the sound of the original output signal and alter it just slightly enough so it sounds like the note is being voiced by multiple sources. This effect allows the notes to ring out just enough to approximate an echo without going into full-blown delay territory.

Bassists like jazz virtuoso Jaco Pastorius have utilized chorus to give the bass a distinct flavor and character that can really make the instrument sing, especially when employed in the higher register. When combined with other effects such as distortion, chorus bass pedals can truly transform the sound into something else entirely.

How To Use The MXR M1010-Band EQ Pedal

Guitar and Bass players alike revere this under-appreciated utilitarian pedal; it’s a staple in every musician’s toolbox. Everyone uses an EQ of some sort, whether it’s in their amp, mixer, or pedal board. The reason? Control. That is what the Ten Band EQ pedal is all about. Want to custom tailor your tone? Adjust for room acoustics? Give yourself a distinctive sounding boost to your solos? The Ten Band EQ provides quick, easy and precise control over ten frequencies to adjust your tone, with volume and gain options to adjust your level.

How it works

There are ten EQ sliders for a wide range of tonal control selected at the most musical frequency centers. You can individually cut or boost each frequency to shape your tone. With + or – 12db you can get 4x the output or 4x the reduction at the selected frequency. In addition to the EQ sliders, there is a gain slider that controls the signal level going into the pedal, and a volume slider that controls the overall effect volume for ultimate control of your signal. All sliders feature a glowing LED, which will blink if the signal is clipping.

How to use it

The Ten Band EQ is very easy to use, as the sliders are a graphic representation of the pedal’s frequency response. Here are a few settings to help you get on your way, but the best way to use this pedal is to keep experimenting and tweaking until you find your own unique sound.

Stoner Off On

Not for me… John4947, 17.11.201 I have used a graphic EQ pedal on my guitar for some time and regard as a very underrated piece of kit.However having read that parametric EQ is gives more control I thought I would give this Artec a go especially as it is relatively cheap.I also thought it would be an inexpensive way to get that honky stuck wah sound.Let’s talk about the build quality first.The case is some sort of cast metal and seems very sturdy.Battery access is screwless(hooray!).The controls generally are OK but the gain and width knobs are very small have no markers on them so it is difficult to know where you are.So what’s it like in use?Firstly forget the stuck wah sound.It just about gets you in the right ball park–but only just.And using the knobs to shape your tone does not make a huge amount of difference.Maybe I’m not using the Artec correctly–there were no instructions/manual included–so for now I’ll stick with my graphic EQ.It is easier to use and has a greater range.


From beginners to seasoned professionals, most guitar players will experiment with effects at some point in their musical journey. While learning to play your instrument well should be a top priority, messing around with effects can be a fun way to engage with your instrument and start learning its sound possibilities without a lot of hard practice. There’s a huge variety of stompboxes out there, many with very low price tags that make great gifts and can add a new dimension of fun for beginning players.

Many modern guitar amps also are equipped with multi-effects sections that encourage experimentation. There are also dozens of multi-effects pedals out there that are very affordably priced and offer a complete suite of effects. Most of these amp and effects processors feature presets created by engineers and pro guitarists to sound good at the touch of a button. Many allow you to create your own unique sounds then store them for instant recall. If you’re a typical player, you’ll adopt and abandon dozens of different effects boxes and presets over your playing career as your style and musical tastes evolve and change.

From subtle warmth to all-out crunch, the BOSS DS-serves up the precise helping of distortion you dial in.

With such a vast array of effects available, it can be hard to know where to start. One good way is to find out which effects your favorite players use. Artist interviews can be a great source of such information. Additionally, most players are happy to discuss their gear with fellow musicians. Talk to other guitar players you know, or chat up the guitarists or bassists at the local club before or after their sets.

If you’re ready to dive in, there’s a vast selection of affordable multi-effects pedals to choose from. Or if you’d prefer to try just one or two dedicated stompboxes, distortion and chorus pedals are a great place to start.

The top-selling BOSS CH-Super Chorus gets props for its clean, classic sound and stereo capabilities.

Musicians Friend also offers video and audio clips demonstrating many of the effects we sell. Just click on the Audio or Video tabs and links on product pages to get a better idea of what each effect can do and how well it will fit into your music.


Whether or not they use modeling technology, most multi-effects units and many single-effect boxes provide you with presets. In a multi-effects processor or onboard an amp, these presets generally involve a complete setup with several effects applied and tweaked to create an overall sound. Usually presets are very easy to access.

Many modern processors have such great presets you’ll never need to get delve any further to create your own. However, almost all units with presets allow you to easily create your own favorite presets. You can start with a factory preset, tweak the sounds to your taste, then save it in your own location to be recalled at the touch of a button while you’re playing.

EQ Effects

EQ or equalization effects work by boosting or cutting specified frequency bands within the sound signal. From treble or high-end sounds such as the sizzling sounds of a riveted cymbal to low-end sources such as the thump of a bass drum or bass guitar, EQ effects don’t change the pitch but rather alter the timbre or quality of the sound. Depending on the application, EQ control can be quite precise or very simple.

Most guitars and basses have one or more tone knobs, which offer a simple form of EQ control. Using these tone knobs adds or cuts the treble frequencies of the instrument’s signal. Most guitar and bass amps also have some tone control available, usually in the form of a 3-band EQ section, allowing you to control bass, mid, and treble frequencies with independent knobs. These knobs boost or cut frequencies when you turn them up or down. Some amps and effects offer more precise control of equalization as we’ll see next.

Refining the Sound

For more control and fine tuning of your sound, you may want to use a parametric or graphic EQ. A parametric EQ allows you to adjust the width of the frequency band that’s being altered and the shape of the curve—how abruptly the boosted or cut area changes to the unmodified area. A graphic EQ divides the frequency ranges into a number of narrow bands which can each be boosted or lowered by sliders, thus giving you a visual or “graphic” representation of how the EQ is being affected. The more bands there are, the more precise your adjustments can be.

EQ can make a tremendous difference in the sound of your instrument. This becomes especially important when playing in a band setting. Your guitar might sound great played alone, but within the sound mix of a full band may need some tweaking. Depending on which instruments are involved, you will need to adjust EQ to help your guitar fit into the overall sound the rest of the band. Using an EQ effects processor can help you dial that sound in more easily and precisely than depending on just your guitar and amp’s EQ controls.

The Wah Pedal

One other effect that depends on EQ modulation is the wah pedal. As you rock forward on the pedal, the sound becomes more trebly. As you rock back, the treble range is muted. In the middle positions, a wah produces a nasal, midrange-heavy tone that is interesting and useful in its own right. Since you can change the wah’s tone constantly while you’re playing, it’s a very dynamic and expressive effect that can become an integral part of your playing. Jimi Hendrix was one of the first guitarists to exploit the wah’s capabilities.

There are a broad range of wah-wah pedals available, each with its own distinctive flavor.

Dunlop’s Original Cry Baby produces the wah effects you’ve heard on countless records.

A variation of the wah pedal is the auto wah. Not to be confused with a city in Canada, auto-wah effects do the same things a wah does, but without the foot treadle. Usually, you can adjust the attack time (how fast the tone shifts toward the treble) and the depth of the cycle. Some auto-wahs also let you set a constant up and down motion that’s not triggered by the note. You’ll find auto-wahs included in many multi-effects processors. One of the newer developments in this area is the Talking Pedal from Electro-Harmonix. While eliminating the moving parts of traditional wahs, it produces amazing male-vocal and vowel-sound effects that harmonize with your guitar’s notes. A fuzz circuit lets you dial in more growl and grit.

Overdrive and Distortion Effects

Originally, distortion of the guitar signal happened accidentally when tube amps were turned up too loud. While distortion was first considered undesirable, players soon came to recognize that a distorted signal increased the amount of sustain they could get out of each note. This essential discovery created a fundamental shift in guitar soloing styles to include extended notes such as those produced by a wind instrument or organ. Used on rhythm guitar parts, distortion thickens up the signal and allows for a much heavier, chunkier sound.

The Ibanez TSTube Screamer adds overdrive warmth to chilly sounding solid-state amps.

Tube amp distortion is created when tubes are overdriven by receiving more juice than they can handle, thus causing the signal break up. Tube-driven amplifiers are still in demand by seasoned players because of the warm, musical tones they create, and some distortion-type effects use actual tubes to replicate that sound. But most distortion effects are produced either through analog solid-state circuitry or digitally.

Pitch-Shift Effects

Pitch shift effects, which includes harmony and octave pedals, are a lot of fun, and add depth and flavor to a guitar player’s sound. The effect works by taking the fundamental note being played on the guitar, and adding another note either above or below the original. Simply adding more notes will often produce odd, off-key notes if you’re not careful. Most modern pitch-shifting effects use advanced technology to make sure the added notes work harmoniously with the original.

The Whammy

The Whammy pedal is truly one-of-a-kind. It gets its name from the slang term for a tremolo arm on a guitar, which allows a player to control the pitch of the strings while playing. In much the same way, The Whammy pedal allows a player to perform radical pitch-shifting in real time by rocking the foot treadle back and forth, sweeping between the intervals set on the pedal. This pedal is a lot of fun and allows guitarists to create the dive-bomb sounds that are associated with JImi Hendrix, Eddie Van Halen, and Joe Satriani.

Modulation Effects

Modulation effects duplicate the waveform of the fundamental signal and alter it, then blend the altered signal and the original signal to create the effected sound. This may sound complicated, but whether you realize it or not, many of your favorite guitar sounds probably use a modulation effect in some way.

Time-Based Effects

By and large, time-based effects split the guitar output into two identical signals and momentarily hold one back while allowing the other to play in real time. The two signals are mixed back into one at the output. Usually you can control the length of the delay and the amount of the signal that is affected versus the part that stays “dry” (unaffected). This latter control—found on most effects—is usually called the level control.

Warm-sounding all-analog circuitry, cavernous delay times up to 600ms and lots of control tweakability make the MXR Carbon Copy Analog Delay a big favorite with fans of old-school delay sounds.

Reverb is a more subtle form of delay that replicates the natural echo effect of various spaces, such as small, medium, or large rooms or concert halls. Many amplifiers have built-in reverb effects, but a lot of guitar players like having a separate reverb pedal for an increased range of programmable options. Some modern reverb stompboxes emulate the sound of vintage reverb devices that used reverberating springs or plates to achieve their effects. Reverb is great tool to add color to a very clean tone, but can quickly make a heavily distorted tone sound muddy.

Echo (also sometimes called long delay) is a natural effect as well, but it is only encountered in large open spaces such as canyons or stadiums. It sounds like when you emit a loud, sharp yelp and a second later you hear the yelp come bouncing faintly back to you from a far wall. This is a particularly fun effect to play around with by yourself. If you set the delay of the echo long enough, you can play against the notes you just played and harmonize with yourself while the rate sets up a kind of beat.

Echo controls usually let you determine the level, the period between playbacks, and the decay—the rate at which succeeding notes become quieter and quieter until they fade out altogether. The period (or time) parameter is often controlled by a single button you push repeatedly in time with the music. This is called tap delay and keeps your echo effect from clashing with the music’s time signature.

Advanced processing gives the BOSS TE-Tera Echo awesomely spacious echo and ambiance effects.


A looper allows you to record a musical passage or phrase then play that passage back repeatedly. You can then record more loops and layer them, one on top of the other. Most recording and playback functions are foot controlled, and once you’ve created suitable backing tracks, you can can then play over the repeated passages in real time, creating exciting one-man-band sounds never possible before. Many of the more advanced models include built-in rhythms, custom effects, inputs for vocal mics and other instruments, plus MIDI and USB capabilities so that you can use the looper as part of your digital song-creation and recording processes.

While a good looper provides phenomenal musical potential, especially for solo performance, and most are simple to use, looping can be challenging for the novice to master. Experienced musicians will have an easier time creating with them, either in realtime performance or songwriting.

With huge loop storage and location options, you can create amazing layered performances with the DigiTech JamMan Solo XT.

Sound-Conditioning Effects

While most effects pedals can drastically alter your sound, there are some that add more subtle elements to your signal to create a more pleasing sound. They may not be as exciting or fun to play with, but they can be the difference between pretty good and truly great sounds. As your collection of effects grows and opportunities to play with bands increase, some of these will become important additions to your rig.

Gain is the strength of the electronic signal carrying your sound. A standalone gain booster is essentially just a preamp, and can be an effective way to overdrive the preamp section of your amp, creating easier musical-sounding breakup and increasing the amp’s power. A gain booster in a stomp box lets you instantly boost your sound level for solos without altering your fundamental tone.

Many stomp boxes for other effects also include gain controls that instantly bump up your signal when you activate the effect. Watch these controls closely and beware of stompbox gain buildup, which can hit your amp’s preamp section with more juice than it can handle resulting in unpleasant distortion.

Volume Pedal

A volume pedal does the same thing a volume knob on a guitar, but it allows you to control the volume with your foot. It is not a boost, it just allows you to sweep between zero output and the full output capacity of your instrument. Many guitarists use a volume pedal, also sometimes referred to as an expression pedal, to create pedal steel-like swells, where a note or chord is played, then the volume is slowly and smoothly raised. Volume pedals can also be used as a boost effect, by simply playing at less than full volume, then stepping on the pedal to go to full volume momentarily when you need the extra boost. Volume pedals can make a standard electric guitar sound like a pedal steel when used with a well-practiced foot technique.They can also be an important pedal to have in your toolbox when playing in a band with multiple guitars.

The minimum volume control on the Morley Volume Plus creates smooth transitions from lead to rhythm and the pedal lets you produce lush violin-like swells.


A compressor affects the dynamics of your guitar or bass signal. By making very quiet signals louder and loud signals quieter, it “compresses” the dynamic range of the signal. This can be very helpful for keeping your quieter passages from getting lost in the rest of the music, and your louder passages from drowning everything else out.

Compressor pedals add a softening effect too, by reducing the front edge of notes and amplifying their tails. This increases sustain by bumping up the signal as the note fades out. Most compressors allow you to control both the thresholds (upper and lower limits) and the knee (the speed with which the signal is raised or lowered). The big appeal for guitarists is the compressor’s ability to simulate the natural compression that tube amps generate when driven at medium to high levels. A good compressor can help thicken up the sound of your guitar and add extra punch to your performance.

The MXR M-10Dyna Comp Compresser adds percussive attack, sustain and smoothes out dynamics using a dead-simple control interface to shape its 100%-analog output.


A limiter is basically the upper end of a compressor. It allows you to control the maximum loudness of a signal by cutting it back when it crosses a preset threshold. This allows you to avoid abrupt, loud signals or damaged equipment and ears.

The Carl Martin Compressor/Limiter has the kind of sophisticated control and audio quality usually found in rack-mounted gear—all housed in a rugged stompbox format.

Noise Gates

A noise gate is a very handy device that gets rid of hums and hisses that may become apparent when you’re plugged in but not playing your instrument. Basically a limiter in reverse, the noise gate simply cuts out sounds below a preset level. As long as you’re making music your sound is full on; but as soon as you stop playing, all the noise generated by your effects chain, vintage amp, and/or house wiring is silenced.

The BOSS NS-eliminates noise and hum without messing with your tone.

Bass Guitar Effects

As with guitarists, bass players have a vast selection of effects to choose from. They’re designed specifically to take into account bass dynamics and the challenges that face bassists in crafting a signature sound and sonically meshing with the rest of the band.

The Electro-Harmonix Crying Bass pedal produces wah and fuzz effects that go from smooth funk to rude growls.

You’ll find a full slate of dedicated bass stompbox effects as well as many multi-effects pedals and processors. Like their guitar-friendly cousins, bass effects offer most of the same tone shaping capabilities, including chorus, reverbs, delays, phasers, and tremolos. Because of the bass’s unique sound dynamics that reach deep into the lower frequencies, many bass effects are focused around compression and limiters that help keep a lid on destructive subsonic sound waves that can damage gear. Typically, many guitar effects are not optimal when used with a bass.

Recommended Signal Chain Order

The order shown below is accepted by many pro guitarists and guitar techs as the best way to get a pleasing sound out of your different effects. But this is just a starting point—signal chains are a topic of endless debate, and arriving at the right sequence may involve lots of experimentation.

Guitar wizard Steve Vai offers his solutions to perfect pedal order.

Multi-Effects Pedals and Processors

Multi-effects units are exactly what the name implies—single units that offer many different effects and allow those effects to be used singly or in combinations simultaneously. Most will offer just about all the effect types discussed in this guide and many more. Typically they include dozens if not hundreds of effects presets—combinations of effects and effect parameters designed to achieve specific sounds with the touch of button or footswitch. Most also allow you to also save your presets for instant recall.

With over 100 revered stompbox sounds, the floor-based M1from Line puts a powerful and versatile tone toolbox at your feet.

Multi-effects pedals and processors come in three basic formats: floor-based units equipped with foot-operated pedals and switches, tabletop units with knobs and switches, and rack-mounted units. Most tabletop and rack-mount units offer foot control options in addition to the knobs, switches, and menus accessible from their control panels. Pedals and footswitches are often user-assignable so that you can instantly engage various effects settings and other presets with a single toe tap.

Jam-packed with amp, cab and effects models plus over 300 effects presets, the Line POD offers near endless fodder to tweak your guitar sound.

Beyond effects, some processors offer dozens of other capabilities including recording tools, rhythm track generators, plus sound models based on vintage amps, speaker cabinets, microphones, mic preamps, and much more. Many also have MIDI and USB connectors in addition to XLR and ¼” inputs and outputs, and are designed to work seamlessly with computer and iOS-based recording software and apps.

The Rocktron Xpression rack multi-effects processor has 12killer guitar and bass effects that range from classic to cutting-edge.

With its iOS app and Bluetooth connectivity, the Zoom MS100BT Multistomp offers near limitless effects possibilities.

Often, multi-effects pedals and processors can be more cost-effective than purchasing multiple stompboxes. They also avoid the potential noise and tone-degrading impact of chaining numerous individual pedals together. That said, many guitarists prefer the way certain dedicated pedals sound or operate, and will collect many single-effect stompboxes along the way. If you are looking at purchasing multiple effect units but don’t have any favorites, purchasing a multi-effects processor can be a money-saving alternative.

Advanced multi-effects processors can involve significant learning curves. Their hundreds of sounds and functions may entail diving deep into multi-layered menus to get at what you want. The best units offer intuitive and ergonomic user interfaces that keep the most common functions easily accessible via dedicated knobs and switches. Reading user and pro reviews can help you identify which models offer the greatest ease of use.

Gretsch G262Streamliner

Here we’ve gathered a carefully curated selection of the highest-scoring guitars to hit the mid-price category in the past few years. It’s not all Fender and Gibson, either – there’s a whole world of well-appointed designs now available outside of the high-end market.

This San Dimas echoes the Pro Mod spec sheet – Duncan pickups, neck profile and compound radius, switching arrangement – of the hardtail model, right until you get to the bridge bit itself.

Here, you get a Floyd Rose vibrato with locking top nut, with all the tuning stability and dive-bombing potential that entails. Like the equally Floyd-blessed So-Cal, here the vibrato occupies a recess in the guitar’s top to allow you to pull back its arm. That means you can do those accelerating motorbike impressions everyone with a Floyd did in the 80s.

A multi-effects pedal is a great way to have access to a wide range of tone options with a single device.

These types of pedals can give you a sample of all of the amps and effects that are available, and if you like the effect, you can always decide to get another pedal that is specifically designed for that effect.

It is a great option that gives you the pedal options that you have not been able to afford to purchase, and it gives you a backup in case your regular pedal dies on you during a gig. It will most likely come with tuners, loopers, and a headphone jack so that you can plug in and practice anywhere.


Most multi-effects pedals have an interface that is easy to figure out, but since it can house a lot of different sound effect options, it can be rather complex.

There are a lot more buttons, knobs, and settings that you need to adjust on a multi-effects pedal. In addition, the pedal effects may be plentiful, but they may not be as high quality as a single effect pedal.

The other concern of mine was, what if the multi-effects pedal breaks? If you are going to a gig, all of your effects will be kaput, unless you have some single effect pedals on hand as well.

Nothing could be more tragic than losing your sound effects for a song with heavy vibrato or delay effects.

Look For These Effects

EQ effects boost certain aspects of your sound while limiting other effects to create more of a unique sound profile. You can raise the treble to give you an amazing bell or cymbal effect or you can boost the bass to create an awesome base guitar riff that comes out above the other tones of the song.

Most multi-effects pedals allow you to control the bass, the mid, and the treble, but some only offer treble and bass, so take a look before jumping into a purchase.

Wahs – This effect is highly dependent on EQ modulation. This type of effect makes it so that the treble is more prominent with the effect and as you pull back on the pedal, the treble is muted slightly. Jimi Hendrix is a guitarist who loved to experiment with wahs in his music.

Overdrive and Distortion

These types of effects create a muddier sound that is heavier and a bit more distorted than your guitar would sound without these effects. The notes that have this effect can easily be extended.

Overdrive – Overdrive is a natural distortion that occurs when the amp is plugged in, but a multi-effects pedal can amplify the throaty sound that the guitar creates. Adjusting your volume can also affect the way that your overdrive sounds, so make sure to take that into consideration.

Distortion – Distortion can be a smooth sound that blends the notes together or a harsh one that pierces into your existing tones and creates an entirely different level of sound.

Pitch and Modulation

These types of sound effects add depth and flavor to your guitar. With these effects, you take two different notes and blend them together to create a unique sound that is often loved by fans.

Whammy – This effect allows you to change the pitch of the riff that your guitar is currently playing. You need to rock your foot back and forth to create the tremolo effect that the whammy bar is so famous for creating.


This type of effect allows you to play a chord in real time and hold one back to be played into the music in a few seconds. You can typically control the length of the delay.

Delay – This is the amount of time between the first chord that you play and the second one that can be heard. This delay effect can also be repeated over and over to create an echo effect that you only need to play once. The delay can be merely a second or it can be a dramatic break in the music that keeps you on the edge of your seat.

Reverb – This is an effect that is a bit more subtle than a delay. It can add personality to a clean sound, but be careful not to add too much to your tones.

Sound Conditioning

These effect options create a more pleasing sound that a lot of professional musicians love to add to their guitar.

Gain – Gain is basically the strength behind your sound. When you are performing a solo, you want to have a lot of gain in your riff to amplify your sound.

Volume – This is an effect that allows you to easily control your volume without stopping to fiddle with the volume knob on the guitar. This pedal is often referred to as an expression pedal amongst the guitar community.

Line POD HD500X Guitar Floor

The main reason that I considered purchasing this multi-effects pedal is that it has a ton of effects you can utilize. It has way more pedals, amps, and effects than I can ever see myself using, but it could be a huge benefit to have all of those options at your fingertips.

I love the fact that you can easily customize each effect, chain them together, and adjust them at any point. The interface is great, but not when you first look at it. It has a lot of buttons and options that make it mind boggling even to begin customizing your effects.

Luckily, with a bit of time, you can easily adjust the interface settings to accommodate your needs in a matter of minutes. I do not like the interface that is available for making live adjustments, but you may feel differently about it.

Insofar as the sound that this pedal produces, it is simply amazing. The only other issue that I had with this multi-effects board is that the pedal is a bit small. It works perfectly for my small foot, but anyone who has a larger shoe size may have issues centering their foot on the pedal.

Zoom G1Xon Guitar with Expression Pedal

The Zoom G1Xon is a great multi-effects pedal for beginners. It is loaded with functionality that any guitarist would love, and it will save you a lot of money in the long run. The case is durable and able to withstand a lot of abuse.

There are about 100 different effect options that you can choose to use on this device, and each of them gives you a unique sound that you can tweak to your needs.

I love that the reverb option on the pedal does not limit you to a single reverb setting; in fact, there are about ten levels of reverb that you can select from to get the exact sound that you want.

The looper only gives you a 30-second playback, but for the price, I would say it is still acceptable. The interface and preset options on this unit are extremely customizable, but upon first look, it can be a bit intimidating to find the settings that you are looking for.

The unit does come with a built-in tuner, but it does not come with a power supply so before you check out with this multi-effects pedal, purchase one so that you are not limited to battery power.

Wrapping it Up

As a guitarist, having a way to easily vary the sound that you create with a multi-effects pedal is a great value. If you do not have any pedals to create unique sounds, a multi-effects pedal is going to be the best option to help you get started.

I chose the Zoom G3X, but all of the multi-effects pedals on this list are great options, you simply need to find the one that is best for your guitar needs.


So what is “tone” and why is it so important? Simply put, tone is how the guitar sounds. Many things make up tone; like amps, pedals, guitars, microphones, cables, and even playing style.

I really want you to grasp what I’m about to say. Tone is KING when it comes to worship music. It doesn’t matter what is being played, if the tone is bad, everything is bad. And I hate to say it, but most of the churches I visit, have bad tone. As a result, the band sounds weak and empty.


If you are hearing weird space ship sounds or grungy AC/DC sounds, put an end to it. For the most part, there is no place for that in worship music. I’ve seen way too many guitar players that are very “effect happy.” However, always use your ear. There’s a difference between someone adding a unique/creative effect to a song, and someone that is just throwing a flange/wah/tremelo/octave effect just because they have the pedals.


I don’t recommend just going to Guitar Center and buying what they tell you. Talk to an experienced worship guitarist.  If you know somebody, great!  For some however, it might take hiring a consultant who is knowledgable in worship guitar to get this setup and sounding great for you, but it’s an investment well worth it.





How to save up to 86%? Here is little trick.

You must visit the page of sales. Here is the link. If you don’t care about which brand is better, then you can choose the eq pedal by the price and buy from the one who will offer the greatest discount.



Final Word

First of all thanks for reading my article to the end! I hope you find my reviews listed here useful and that it allows you to make a proper comparison of what is best to fit your needs and budget. Don’t be afraid to try more than one product if your first pick doesn’t do the trick.

Most important, have fun and choose your eq pedal wisely! Good luck!

So, TOP3 of eq pedal



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