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Best nikon dslr for video 2018 – [Buyer’s Guide]Last Updated July 1, 2020
Best nikon dslr for video of 2018
The above tidbits will bring you closer to selecting nikon dslr for video that best serves your needs and as per your budget. You must have heard that the best nikon dslr for video should allow you to save money, right? Sure, but that’s not the only reason you should consider getting one. I’ve based my selection methodology on customer feedback, the size, functionality, and budget to meet various demands. Like choosing clothes or cosmetics, choosing nikon dslr for video should be based on your purpose, favorite style, and financial condition.
Test Results and Ratings
Why did this nikon dslr for video win the first place?
I really enjoy the design. It is compact, comfortable and reliable. And it looks amazing! I don’t know anything about other models from this brand, but I am fully satisfied with this product. The product is very strong. Its material is stable and doesn’t crack. I was completely satisfied with the price. Its counterparts in this price range are way worse.
Why did this nikon dslr for video come in second place?
I like this product. For such a low price, I didn’t even hope it to be any better. It’s decently made. This is a pretty decent product that perfectly fitted the interior of our office. Seems that the material is good. It has a very beautiful color but I don’t really like the texture. Managers explained me all the details about the product range, price, and delivery.
Why did this nikon dslr for video take third place?
It doesn’t squeaks nor bents. Looks great in my apartment. It is inconvenient to use due to the size. I am going to get something different next time. A very convenient model. It is affordable and made of high-quality materials. I liked the design. We’ve been using it for 2 months and it still looks like brand new.
nikon dslr for video Buyer’s Guide
One of the biggest shake-ups the Nikon D7500 brings is the change of sensor. While both the D7100 and D7200 sported 24MP chips (as, for that matter, did the entry-level D3400 and D5600), here Nikon has opted to use the slightly lower-resolution 20.9MP sensor from the D500, which, as in that camera, is teamed with Nikon’s EXPEED image processor.
While both the D7100 and D7200 sported 3.2-inch displays that sat flush with the camera body, the D7500 has a 3.2-inch tilt-angle touchscreen display with a 922,000-dot resolution (the D500 has a 2,359,000-dot resolution). There’s also an eye-level pentaprism optical viewfinder that offers 100% coverage.
To evaluate DSLRs, we use them in a variety of settings, including low light, outdoors, indoors, and more. We also photograph a number of subjects, such as people and pets, to see how well the camera captures skin tones. We generally use the kit lens that comes with the camera, to more closely emulate the same experience as consumers purchasing the camera.
In addition to still and video quality, we also rate the camera based on its ease of use: Are the physical controls easy to access, and are the menus logically laid out? Lastly, we evaluate the camera’s battery life and other features, such as wireless control.
Three Tips for Better DSLR Photos
One of the great things about owning a DSLR is that because they have so many controls and settings, you have the ability to dramatically change how you shoot, no matter what type of photos you take, whether it’s portraits, nature, street scenes, or candids of friends and family. Additionally, DSLRs let you swap out lenses, which will almost instantly alter your shots. Here are three ways you can improve or change how you capture a photo using your DSLR.
Adjust the exposure settings or shooting mode.
Changing lenses isn’t the only way to alter how you capture a fall landscape or image. Another is to adjust the exposure settings, such as shutter speed or aperture, or change the shooting mode, by changing the camera to shoot in a landscape or night portrait scene mode. For example, you could try capturing running water in a fountain, river or waterfall using a very slow shutter speed, such as 1/of a second or seconds or even longer, depending on lighting. (Be sure to put your DSLR on a tripod.) That will allow you to capture the motion of the water and give them a blurred, smooth and silky appearance. Or, try changing your DSLR’s shooting mode: Many DSLRs now let you capture panoramic shots, which are ultra-wide landscape images that can capture a 180-degrees or more of a snowy landscape.
Try in-camera effects or shoot in RAW.
Many DSLRs also offer Instagram-like filter effects that let you alter the look of your images, right inside the camera. For instance, take a portrait and turn it into a black-and-white or sepia-toned work of art. Or, change your image into an illustration. Another option is to capture your image in RAW, which is a special image file format that produces the best quality images and provides you with maximum flexibility when editing your photos in image-editing software.
Additional Shopping Advice
Keep in mind that DSLRs — and their lenses — are typically larger than most other cameras, which makes them less convenient for those who want to travel light. Also, many DSLRs are not as good as mirrorless cameras when it comes to video, as they lack autofocus in this mode, or, if they do have it, the noise from the lenses can drown out any audio. That said, there are some DSLRs that excel at shooting video, too.
With a few exceptions, all DSLR cameras come with a one-year warranty, though you can usually purchase additional coverage from the manufacturer.
At this price, it’s likely this is your first DSLR. You want that level of photographic control – that’s why you’re making the jump – but you don’t need maximum resolution and you don’t need to be inundated with options. You’re also going to want a lens in the bundle. Here are the models we think would be perfect for you, with lenses included in the price.
Canon EOS 1200D
The Canon EOS 1200D is the perfect gateway into the EOS system. Its 18MP sensor and Digic processor mean it doesn’t skimp on image quality, but at the same time it comes at a very enticing price point. Users can pair it with Canon’s EOS companion smartphone app in order to get guided tutorials and familiarise themselves with the 1200D’s operation. The controls are all physical, and the grip from its predecessor the 1100D has been improved for better handling. A great starter camera.
If you’re likely to be taking your DSLR into rough situations then you may want something that can take a little punishment. We’d recommend the dustproof and weather-resistant Pentax K-S2, which has extensive sealing to keep out the elements.
Packing a 20.1-megapixel CMOS sensor, a wide ISO range of 100-51200 and an optical viewfinder with 100% coverage, the K-Sis a serious imaging package, a fact reflected by the fact it’s more expensive than both the 1200D and the D3300. If you can afford the outlay, and have a feeling you might need the weather-sealing, we’d recommend it.
So, you’ve been packing an entry-level DSLR or mirrorless camera for some time. You know its operation thoroughly, but you feel there are some things you wish it could do better. Its low-light performance is a little shonky, or its AF is a little sluggish. Maybe you’ve missed a couple of shots due to these issues.
It’s time to upgrade. These mid-entry DSLRs will allow you to build on the skills you’ve already learned and push them further to create amazing images. Here are our top picks.
Canon EOS 760D
The Canon EOS 760D is a fairly recent release from the Canon stable, and is a great choice for the competent user looking to push their images. The 24.MP sensor and Digic processor make for a powerful imaging combination, while the top-plate LCD and intelligent viewfinder offer the user an intuitive control experience.
As this is a newer Canon model it’s got the latest advancements in autofocus technology, and the Hybrid CMOS AF III system – with 1points – is very good indeed. A vari-angle touchscreen, full HD video and Wi-fi connectivity all round out a strong package.
Sony Alpha A7II
Following up the well-loved Pentax K-was always going to be a daunting task, but the K-II acquits itself nicely. Enhanced shake reduction and the lack of an optical low pass filter allow users to get the most of its 24.35MP sensor, while the dependable 27-point AF system locks on nice and quickly. There’s also built-in GPS and even a compass.
Unique to the Pentax K-II is Ricoh’s Pixel Shift Resolution mode. This is a special functionality that takes four images in a row in order to create a composite image at ultra-high resolution (not dissimilar to the composite mode on the Olympus OM-D E-MMark II). This really expands the level of detail a user can capture, especially when shooting in Raw format.
You know exactly what you want to achieve. Whether it’s stunning vistas, pin-sharp action or the perfect portrait, you’ve got your goal and you need the right kit. These enthusiast DSLRs will offer you the control and image quality you need to achieve your visions. These, for our money, are the best picks.
Canon EOS 6D
Another option for the full-frame crowd, the Canon EOS 6D is a few years old now but still offers a solid package for photographers of all kinds.
It was the first EOS model to include Wi-fi and GPS connectivity, and its ISO range of 100-25,600 (expandable to 50-102,800) is still impressive today. The 20.2MP full-frame sensor should be more than adequate for most purposes, and the relatively lightweight design is a plus.
Canon EOS 5DS R
You want pixels? Canon has got pixels for you. 50.6-million of them, to be precise. The Canon EOS 5DS R is the highest-resolution full-frame camera currently on the market – only the Sony Alpha 7R comes close.
This high resolution makes it perfect for landscapes and large-scale prints. If you want no compromise on sharpness and detail, this is the DSLR for you.
Differences between DSLR and Mirrorless
In the most basic terms, the key difference between a DSLR and a mirrorless camera is that the DSLR comes with an internal mirror that reflects light entering through the lens through a prism and to an optical viewfinder. This mirror blocks off the sensor and only moves or flips up when you’re actually going to shoot. This is where the SLR part of DSLR comes in, it stands for “single lens reflex” and the D obviously enough stands for “Digital”, as opposed to the old analog SLR cameras.
Mirrorless cameras on the other hand –also known as “ILC” shooters, allow light from the outside world to flow straight through the lens and directly at a mirrorless camera’s internal sensor and then to the viewfinder if one is built in. This of course means that these camera types are generally smaller and more compactly built than their DSLR cousins and the difference is physically identifiable. Both DSLRs and mirrorless cameras generally do offer lens swapping capacity.
Key Things to Keep in Mind
While all of the cameras we’re covering here come with a whole load of specs that might even get confusing for a lot of less experienced buyers, only some of those numbers and descriptions are truly important for most users and here is our rundown of each.
Resolution in a digital camera is generally referred to by the term megapixels (each megapixel being equal to one million pixels). This number basically identifies how many pixels in total a camera sensor and photos offer up. Pretty much any modern camera offers photo resolution in the millions of pixels (far beyond 4K levels) and while even cheaper cameras offer plenty of megapixels, some of them don’t have the processing power to deliver photo capture quickly, so keep this little detail in mind when stumbling across a camera that’s amazingly cheap but promises lots of megapixels.
We should also note that some 4K cameras also offer up still shot sequences from their video footage in 4K resolution, letting you create sequences of dozens of individual 8.2megapixel still shots from a piece of video.
Different types of cameras come with different sensor sizes and this is where a lot of crucial performance is concealed in the details. For the sake of simplicity, we can say that most DSLRs offer up some of the largest sensors and that the fixed lens point and shoot advanced compact cameras we mentioned earlier usually offer the smallest sensors. Mirrorless cameras usually fall between these two although some mirrorless models can also offer very large sensors and even full-frame sensor technology.
In basic terms, sensor size itself revolves around the dimensions of the photoreceptor array which creates a digital image from pixels. Because of this, bigger sensors usually make better quality images and also usually mean larger camera bodies due to a need for more robust electronics and larger lenses. Typically, cameras with larger sensors are also more expensive.
With DSLRs, autofocus is usually based on what is called phase detection and with mirrorless models, the more usual focus mechanism is powered by contrast detection. Phase detection uses the mirror in a DSLR to divide entering visual light into a pair of images and then compare them to focus the lens on a given subject. In contrast (literally), contrast detection measures the contrast between pixels in the sensor until it finds enough said contrast to detect focus in an image. The contrast detection system of mirrorless cameras is generally slower and less effective than its DSLR counterpart but more models are emerging with hybrid technology built into them, allowing for the best of both worlds.
If you need to capture fast action and particularly in low lighting conditions, this type of hybrid technology is your best choice, especially when it’s combined with a strong continuous shooting ability and high ISO sensitivity.
Sony A7R II 4K mirrorless
Sony’s A7R II is pretty much the very top of the line among the existing and already excellent Sony mirrorless models we’ve presented here, and it’s very steep price reflects this. However, this is an absolute pro mirrorless model of the highest caliber on the market. With a 4megapixel full-frame BSI-CMOS sensor, superb 5-axis image stabilization, powerful EVF and some truly superb ISO at a max of 102,400, the A7R II performs in both light and dark conditions like very few cameras can manage.
On the other hand, it offers slightly less (399) focus points than the much cheaper a6300 and it’s battery life is definitely on the low side, being capable of only 290 shots at a time, which is understandable considering that we’re talking about 4megapixels!.
Sony a6300 4K mirrorless camera
Sony’s a6300 is yet another high quality low-light capable mirrorless camera for our list and it’s a particularly powerful example that we can’t help but love. Its predecessor the a6000 was one superb piece of HD prosumer compact camera technology and the a6300 ramps all of the best specs up still further while adding in very robust 4K video recording. Featuring an ISO of 100-51200 and a 24.megapixel APS-C sensor, the a6300 also offers up among the world’s fastest shooting speeds at 11fps and an insanely fast autofocus that clock out at 0.0seconds, making it THE fastest in the world for now and far superior even to the autofocus of many DSLR models.
Throw in the super Super Bionz X image processor and 42phase-detection autofocus points and what you get in this model is probably one of the best all-around mirrorless 4K cameras on the market in this price range.
Sony Alpha 7S II 4K camera
Now here is one truly superb low light mirrorless performer from Sony. The A7S II is on the pricey side but it’s to be expected from what is a truly professional full-frame mirrorless camera with outstanding low light and regular brightness video and photo capacity. With 24.megapixel still resolution and 5-axis image stabilization, the quality of both photo and video caught on the A7S II is downright superb and the petite camera body easily fits into some very small bags or pockets even. Furthermore, an ISO range of 100-25,600 is more than enough for fans of nocturnal photos and video. Best of all, these ISO levels are further augmented by some excellent capacity for enhancing smooth brightness and reducing noise even in very low light conditions.
On the other hand, a shooting speed of 5fps is a bit on the slow side, especially for Sony, a company that’s known for creating blazing fast shooters like the a6300 and even their older a6000 HD mirrorless.
Canon EOS 1D-C 4k Camera
The Canon EOS 1D-C is one seriously powerful, big and professional 4K DSLR shooter from a true expert in the industry. It offers up a fairly decent but not astonishing 18.megapixel CMOS sensor, capacity for robust shooting in both 24p/30fps 4K UHD resolution and Full HD video at up to 60fps. A very robust 61-point autofocus, along with a highly versatile Canon EF lens mount and some very fleshed out features for film and TV production make the EOS 1D-C a much more serious device than its basic specs would suggest. Additionally, the camera is thoroughly equipped for use in some seriously hostile environments, with the ability to resist dirt, dust, water, impacts and heat in a way that few conventional DSLRs or mirrorless models could.
While we definitely think the EOS 1D-C from Canon is bloody expensive, this is without a doubt a true pro recording camera with more focus on serious video capture than simple field photography.
DSLRs from smaller manufacturers shouldn’t be overlooked. The Pentax K-Shas an excellent price, along with features that are hard to find on entry-level models, like weather-sealing and wi-fi.
Want to learn how to use this camera? Good news, we have a fantastic Fast Start course for this specific camera model.
Sony Alpha aIII
Our Buying Guides cover virtually every major camera on the market, most of which we’ve tested in-depth. This includes testing of sensor performance and image quality, experience with the video shooting and extensive real-world photography in a range of situations. We selected our recommendations by prioritizing the features and performance aspects central to video shooting.
These aren’t the only choices, however. Your needs will not be the same as everyone else’s, so we do recommend you take a close look at all of the following models before parting with your cash.
Value for money
The EOS 5DS is virtually identical to the older EOS 5D Mark III in external appearance and handling, which is no bad thing. Canon has, however, redesigned the newer body to be more rigid yet slightly lighter, and there’s a new shutter unit that reduces vibrations. For capturing detail and texture, the EOS 5DS is simply epic. Indeed, some of Canon’s own EF lenses didn’t make it onto the approved list for use with this camera because they’re not sharp enough to do it justice. The trade-off is that high-ISO images are relatively noisy, and it’s presumably for this reason that Canon has limited the standard ISO range a maximum ISO 6,400 setting, so it’s not necessarily the best option if low-light shooting is your thing.
No Wi-Fi or NFC
For all-round abilities, the D750 has established itself as our favourite Nikon DSLR. The 24MP sensor includes an optical low-pass filter to protect against moiré patterning and false colour, and this is coupled with an EXPEED processor, while the body is finished with tilting rear screen and dual card slots. On the inside, Nikon has furnished the camera with a 51-point AF system, Wi-Fi and the option to shoot at up to a very respectable 6.5fps High-ISO image quality is about as noise-free as the Canon EOS 6D, but the D750’s 51-point autofocus system is streets ahead. Image quality is sumptuous in all respects, and overall performance is spectacular considering the camera’s relatively low price. This is arguably the best-value Nikon DSLR you can get right now.
Video specs could be better
You can actually pick up new, unused models of the 700D for cheaper than a second hand version thanks to some fantastic deals available at the moment.
Although the price difference here isn’t as dramatic as between some of the older and newer professional models, it’s still enough of a difference to consider the older model if you’re on a budget.
Canon has taken a lead in the megapixel race after trailing behind Nikon for a couple of years. The new 5DS features a 50.million pixel sensor.
But who needs that many pixels? The average photographer who sticks to printing at Aor below certainly doesn’t, unless they often want to heavily crop. Then there’s the issue of super large files.
Instead, you can pick up the still fantastic 5D Mark III (which is still a current model in Canon’s line-up) for a much cheaper price, especially if you go second-hand.
Fuji X Pro1
The newest replacement on this list is the Fuji X ProThe newer model, the X Pro2, is available for over £1000 more than the one which it replaces, so there’s never been a better time to get hold of one of these much lusted after cameras.
Olympus OM-D E-M5
The original OM-D caused quite a stir when it was first announced, and although it has since been replaced, there’s still plenty of great features on the older camera.
It’s got a super-fast autofocusing, 5-axis image stabilisation, a dust and splash proof design and a 1million pixel sensor. If you’re thinking about getting your first compact system camera, or are looking to upgrade from an entry-level model, you can save a lot of cash by plumping for the original version of the Mark II.
Sony’s full-frame compact system cameras have won much praise and admiration from critics and users alike, and they continue to be the only manufacturer using a full-frame sensor in a CSC.
They’ve been on the market for a few years and as such, we’re now starting to see second generation models coming out from Sony. The A7S now has a Mark II, making the original A7S a great bargain if you don’t mind having the latest tech from Sony.
VIDEO SHOT ON SONY ALPHA SERIES
Act 3, the opening night and Cirque at end were shot on Sony Alpha a6000. The rest was shot on a Canon C100 II.
Panasonic Lumix GH(and for a sweet deal the GHtoo!)
Killer video shooting set-up. Panasonic GHwith Rokinon 35mm lens and a DIY light gel.
A Gift From Me To You
Shot on Canon C100 Mark II. Sigma 18-35mm. Canon 70-200mm. With strobe lights. A wig. Sunglasses. And a willing wife.
Camera Buying Guide: convince your spouse to dress up as a DC comics super villain don her Black Swan alter ego for the sake of playing with your new camera, then power to you my friend.
Clinton directs and shoots videos for Stark Insider. Recent projects include BTS short LUZIA with Cirque du Soleil, short film collection WHO IS STARK INSIDER?, and art-doc WRONG’S WHAT I DO BEST shot on location at the San Francisco Art Institute. His Broadway shorts, such as SHREK UNMASKED, have garnered acclaim. He’s worked with DreamWorks, Disney on Ice, and “studied under” filmmaker Werner Herzog. He also writes on Stark Insider about the San Francisco arts scene, Napa, Silicon Valley and gadgets.
In photography and cinematography, a normal lens is a lens that reproduces a field of view that generally looks “natural” to a human when we look at a photo. Normal lenses are popular for portraits, street photography, and landscapes. They are often the first lens a person purchases after they buy their DSLR. For most photographers, they are one of a short list of “go-to” lenses that are almost always on their camera.
The first portrait photography concept you need to be aware of is perspective. If you move in too close to your subject, the part of their body closest to the lens is going to appear drastically enlarged relative to the rest of their body – due to the perspective. That body part is usually the nose – and few people want their nose enlarged – and doing so can make them uncooperative. The subject may also be uncomfortable with you in their personal space (speaking from experience, I enjoy a large personal bubble) an uncomfortable subject will not likely photograph well.
The converse is also true. If you are too far away from your subject, their features become compressed in appearance. I find this look far more attractive than the big nose look and often prefer to use longer focal lengths for my people subjects (celebrities often prefer this look as well) but be aware of what is happening in your images. Being too far from your subject makes communication difficult. Physical obstacles (such as a wall) can also inhibit the use of longer focal length lenses.
The portrait lens focal length decision should be based on the perspective you want, the subject framing desired and the working space available. A wide angle lens makes the most sense when used for environmental portraits – where your subject is in the environment they are to be photographed with – such as a workplace. And conversely, a long telephoto lens should be used for a tight head shot – to keep the nose nicely-sized.
Conventional teaching is that the 70-135mm focal length range is ideal for portrait photography (field of view crop factor included).
The workhorses of many photographers bags, the short telephoto can be used for group shots, wide angle landscapes, weddings, and even for some sports. While they don’t get as much attention as the big telephotos do, they earn their keep by allowing bright and sharp photographs and video in less then ideal lighting.
While not as famous as the
Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR, the Nikon AF-S DX Zoom-NIKKOR 17-55mm f/2.8G IF-ED is a wide-angle to short telephoto zoom lens specified for use with DX format Nikon DSLR cameras. Its 35mm focal length equivalence is 25.5-82.5mm, enabling a versatile set of perspectives that incorporate most focal lengths used in day-to-day, wedding, portrait and travel photography. At the wide-angle end it provides an inclusive view useful for landscape vistas, interiors, street shots and group shots of friends and family. The zoom advances to cover standard focal length and short telephoto perspectives, ideal for portraiture and to mildly magnify your subjects. At f/2.it’s bright and fast enough to overcome all but the most challenging of lighting conditions.
The Pentax K-70 is a significant step up from the previous DSLRs we’ve looked at, both in terms of the features it offers, and its cost. It boasts a 24-megapixel APS-C CMOS sensor, an ISO range of 100 to 102,400, and can shoot stills at fps. Video recording is also possible at Full HD 1080p 30 fps.
Features which make the K-70 stand out from the crowd include a ruggedness normally reserved for higher-end cameras. Shooting in the rain won’t be a problem thanks to 100 sealing parts which make it dust-proof and weather-resistant It’s cold-proof down to temperatures as low as -10° C (14° F) too. Another headline feature is built-in sensor-shift shake-reduction, which moves the sensor to reduce the number of blurry images you are going to get.
The Sony A6is something of an anomaly in this day and age in that it lacks the built-in Wi-Fi sharing skills which many users now take for granted. However, if you are willing to go old-school and take out the memory card whenever you want to get your images onto another device, the camera still has a lot to offer.
With a 24-megapixel APS-C CMOS sensor, the Sony A6is more than capable of shooting high quality images and has an ISO range of 100 to 25,600. It can rattle off images at a speedy fps, and shoot Full HD 1080p video at 30 fps. Built-in sensor shift image stabilization is also on hand to help cut the wobbles and the resulting blurry images. An impressive autofocus system with 7phase-detection points will make the A6better than some rivals at nailing focus and tracking subjects.
The sensor size of video DSLRs is one of the reasons they took off so quickly. Before DSLRs the largest sensor you would normally find in a video camera was a 1/inch sensor. Now we have several sensor sizes that are much larger available to us.
There are basic elements that are affected by the sensor size. Being familiar with these things will help you decide which sensor size you need.
Depth Of Field
Now that we know what Depth of field is, lets talk about how our sensor size affects DOF. Remember how smaller sensor crops the image? Well, to get a wider shot we need to use wide lenses to counteract this effect. The problem is that the wider you go, the deeper your DOF goes (more of the shot is in focus). So if you wanted to film an interview in a small office and have some nice shallow DOF (giving you a blurred background) it would be very hard to achieve with a small sensor like a MFT or APS-C camera. This is where full-frame cameras shine.
So the larger the sensor, the easier it is to get shallow depth of field and get wide.
Other Camera Features And Functions
It’s very important to choose a camera that feels comfortable in your hands. While most DSLRs are similar in size and build, the styling of the handgrip, position of controls, and other ergonomic features can differ drastically. The camera you choose should be one that you are most comfortable using. If a DSLR is too big or small for you to hold comfortably, or if the controls are not laid out in a way that makes sense to you, chances are you won’t enjoy shooting as much as you should.
Continuous Shooting and Autofocus Speed
DSLRs have another big advantage over point-and-shoots—speed. The time that it takes between hitting the shutter button and the camera capturing a picture, referred to as shutter lag, and the wait time between taking photos—recycle time—are often concerns with compact cameras. DSLRs generally focus very quickly and deliver shutter lag that is nearly immeasurable.
Of course, the autofocus system has to be able to keep up with the frame rate. Basic DSLRs often only have a few autofocus points, which makes it difficult to track moving subjects. High-end models sport autofocus points that cover most of the frame, making them favorites of photographers interested in capturing sports action and wildlife. Continuous shooting and autofocus performance go hand-in-hand, so it is important to look for a camera that does both well.
Burst Mode: A fast performing DSLR is great for moving subjects, allowing you to record several photos per second. Pay particular attention to whether the camera greatly slows its burst mode when shooting in RAW versus JPEG shooting speeds.
Articulated Display Screen: We love to see a digital SLR camera with an articulated LCD screen, as it allows you to attach the camera to a tripod that may be low to the ground, while tilting the display screen upward to make it easy to frame the scene without having to stoop to use the viewfinder.
Most Important Digital SLR Camera Features
Resolution: Digital SLR cameras are starting to appear with really large resolution numbers, which can give you great image quality and flexibility for editing photos later.
RAW/TIFF Shooting: Using these advanced image formats will preserve image quality without compression, as occurs with JPEG formats.
Maximum Burst Mode: Top-notch DSLRs should offer an ability to shoot several frames per second in burst mode.
Movie Recording: High-quality movie recording is now an expectation with DSLRs.
Autofocus System: The more autofocus points the DSLR can use, the more accurate its autofocus system will be.
Articulated Display Screen: A digital SLR with a display screen that can tilt makes it easier to use these cameras with a tripod.
Viewfinder Coverage: Some digital SLR viewfinders only show part of the scene, so you want a model that displays as close to 100% of the scene as possible.
Lens Mount: A DSLR camera can only accept interchangeable lenses that match its lens mount.
Sea Dragon Fluoro-Dual Beam
In partnership with Fire Dive Gear, Sea Life’s first fluorescent photo and video dive light is sure to pique the interest of many underwater photographers. The light features two switchable beams that can quickly adjust with a push of a button from a blue fluoro 65° flood to a white 800 lumen 15° spot. Two barrier filters are included with the light: One attaches to your mask while the other attaches to any lens (with a diameter up to 47mm).
An entry-level DSLR has to be able to do a lot these days. It has to provide excellent image quality, including low noise and a wide dynamic range. It has to be easy enough to use that someone who has never tried a complex camera before can learn how to handle it, but it still has to offer manual controls that photographers can graduate into as they improve their skills. And it has to be affordable enough to be someone’s first foray into more advanced photography.
Most cameras in this class to date have struggled in one or more of these areas, but the Nikon D3400 checks enough of these boxes that we can confidently recommend it as the best option for a low-cost DSLR.
How we tested
Once we assembled our candidates, we brought them in for six hours of hands-on testing. Important parameters like image quality, focusing speed, menu layout, features, handling, and battery life were all put to the test; in the end, the Nikon D3400 proved to be the best DSLR for beginner photographers on a budget.
Right now, Nikon is putting better sensors into its low-end cameras, which means that the D3400 takes nicer photographs than comparable Canon models. Despite the fact that Canon recently upgraded the sensor in the T6i, it still underperforms compared to the D3400. That better sensor means the D3400 is able to capture a wider range of lights and darks in your images: bright areas won’t be as overexposed and washed out, and you’ll still be able to see details in the shadows instead of underexposed black splotches. And if you have to crank up the ISO sensitivity up to shoot in low light, you’ll see less of the speckling of digital noise than you would with the competition.
Nikon is putting better sensors into its low-end cameras, which means, in short, that the D3400 takes nicer photographs than comparable Canon models.
The D3400 doesn’t just have the best sensor and software performance in its class—it also has one of the better kit lenses among beginner DSLRs. Nikon’s new collapsible AF-P 18-55mm Nikkor lens is a pretty fantastic and sharp lens, and it also helps keep the camera’s size down when not in use. The downside of the new lens is that you can lose precious time extending it before shooting—but if that’s really an issue, you can just leave it extended. What’s great about Nikon’s new AF-P lens is that it utilizes a stepping motor to achieve speedy, ultra quiet focusing. This is particularly useful in video mode, providing much quieter focusing than the D3300’s lens.
The Nikon D3400’s kit lens needs to be extended when in use.
That’s the experience we had once we got it working, though only after a grueling connectivity battle in which it took several attempts for the camera to link up with an iPhone Once the connection was made, the D3400 successfully transferred any new images to the phone as long as both were powered on and the SnapBridge app was launched—and would readily re-pair when the two had been separated. A few caveats here: only resized 2-megapixel images can be automatically transferred, and raw images cannot. Full resolution JPEGs can be sent to a smartphone, but they must be manually selected from the app and transmission time is very long. Images can also be embedded with GPS information and labeled with artist, camera settings, and time and date information. After several shoots, we came to find that the D3400 always connected and transferred images in the background. For posting to the web, this is an ideal setup, and would even work in more professional environments as a way to show clients previews on location, though the D3400 is certainly not designed for commercial work.
The D3400 uses the same image processor as the D3300, giving it a burst rate of five frames per second, which is on par with Canon’s T6i and Tand sufficient for basic fast-action photography needs.
Nikon has not changed the video capabilities of the D3400 as it can still shoot 1080p video at your choice of 60, 50, 30, 25, or 2frames per second. The inclusion of 1080/60p video recording—ideal for capturing fluid, seamless slow motion or action-packed sporting events—gives the D3400 a significant edge over the competition at this price point.
First of all thanks for reading my article to the end! I hope you find my reviews listed here useful and that it allows you to make a proper comparison of what is best to fit your needs and budget. Don’t be afraid to try more than one product if your first pick doesn’t do the trick.
Most important, have fun and choose your nikon dslr for video wisely! Good luck!
So, TOP3 of nikon dslr for video
- №1 — Nanguang LED Video Light 4-in-1 Dimmable Bi-color On-camera Light with Battery
- №2 — 65″/166cm Fluid Head Tripod
- №3 — NEEWER 160 LED CN-160 Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light